The Fine Art of Insincerity by Angela Hunt

Please welcome friend and author fabulous, Angela Hunt. I love the title and premise of this book. And knowing, Angie, it will be a great read. Take a peek at the blurb and first chapter!

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The Fine Art of Insincerity

Three Southern sisters with nine marriages between them — and more looming on the horizon – travel to St. Simons Island to empty their late grandmother’s house. Ginger, the eldest, wonders if she’s the only one who hasn’t inherited what their family calls “the Grandma Gene”— the tendency to enjoy the casualness of courtship more than the intimacy of marriage. Could it be that her sisters are fated to serially marry, just like their seven-times wed grandmother, Lillian Irene Harper Winslow Goldstein Carey James Bobrinski Gordon George? It takes a “girls only” weekend, closing up Grandma’s memory-filled beach cottage for the last time, for the sisters to unpack their family baggage, examine their relationship DNA, and discover the true legacy their much-marrying grandmother left behind.

The Fine Art of Insincerity is a stunning masterpiece. I was pulled into the lives of Ginger, Pennyroyal and Rosemary--sisters touched by tragedy, coping in their own ways. So real, so powerful. Pull out the tissues! This one will make you cry, laugh, and smile. I recommend it highly. --Traci DePree, author of The Lake Emily series

“Only Angela Hunt could write a relationship novel that’s a page-turner! As one of three sisters, I can promise you this: Ginger, Penny, and Rose Lawrence ring very true indeed. Their flaws and strengths make them different, yet their shared experiences and tender feelings make them family. From one crisis to the next, the Lawrence sisters are pulled apart, then knit back together, taking me right along with them. I worried about Ginger one moment, then Penny, and always Rose—a sure sign of a good novel, engaging both mind and heart. Come spend the weekend in coastal Georgia with three women who clean house in more ways than one!”

Liz Curtis Higgs, best-selling author of Here Burns My Candle

THE FINE ART OF INSINCERITY

ANGELA HUNT

Prologue

Ginger

“You can’t tell your sisters,” my grandmother once told me, “what I’m about to tell you.”

I listened, eyes big, heart open wide.

“Of all my grandchildren—” her hands spread as if to encompass a crowd infinitely larger than myself and my two siblings—“you’re my favorite.”

Then her arms enfolded me and I breathed in the scents of Shalimar and talcum powder as my face pressed the crepey softness of her cheek.

My grandmother married seven times, but not until I hit age ten or eleven did I realize that her accomplishment wasn’t necessarily praiseworthy. When Grandmother’s last husband died on her eighty-third birthday, she mentioned the possibility of marrying again, but I put my foot down and told her no more weddings. I suspect my edict suited her fine, because Grandmom always liked flirting better than marrying.

Later, one of the nurses at the home mentioned that my grandmother exhibited a charming personality quirk—“Perpetual Childhood Disorder,” she called it. PCD, all too common among elderly patients with dementia.

But Grandmother didn’t have dementia, and she had exhibited symptoms of PCD all her life. Though I didn’t know how to describe it in my younger years, I used to consider it a really fine quality.

During the summers when Daddy shipped me and my sisters off to Grandmom’s house, she used to wait until Rose and Penny were absorbed in their games, then she would call me into the blue bedroom upstairs. Sometimes she’d let me sort through the glass beaded “earbobs” in her jewelry box. Sometimes she’d sing to me. Sometimes she’d pull her lace-trimmed hanky from her pocketbook, fold it in half twice, and tell me the story of the well-dressed woman who sat on a bench and fell over backward. Then she’d flip her folded hankie and gleefully lift the woman’s skirt and petticoat, exposing two beribboned legs.

No matter how large her audience, the woman knew how to entertain.

I perched on the edge of the big iron bed and listened to her songs and stories, her earbobs clipped to the tender lobes of my ears, enduring the painful pinch because Grandmother said a woman had to suffer before she could be beautiful. Before I pulled off the torturous earbobs and left the room, she would draw me close and swear that out of all the girls in the world, I was the one she loved most.

Not until years later did I learn that she drew my sisters aside in the same way. I suppose she wanted to make sure we motherless girls knew we were treasured. But in those moments, I always felt truly special.

And for far too long, I believed her.

© 2012 by Angela Hunt, used by permission. Do not reprint without permission. For more information, visit www.angelahuntbooks.com

To order: www.amazon.com/exec/obidos/ASIN/1439182035/booksbyangelae0d

To download the Angela Hunt iPhone/iPad app: http://mobileroadie.com/apps/angela-hunt

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Becoming a Writer

I've always wanted to be a writer. In first grade, I had a red diary with a lock. I actually wrote in it.

Think... what makes a six year old want to write down her daily activity and thoughts. It's a bit funny to me some forty years later, but it was the beginning of my destiny. A revelation of what was just "in" me.

For a long time I remembered the diary as a gift, but now that I think about it, I believe I purchased it on my own.

Don't panic if your story is not like mine. I know plenty of authors who didn't start writing until they were older. Several had reading disorders growing up, but overcame as they matured. Some still deal with dyslexia but have become successful novelist.

How you came to write a novel is your own complete journey. But now that you're here... what do you want to write? How do you know what to write about?

We've heard the saying over and over, "Write what you know." If that were the case, I'd be done after book one, my knowledge exhausted.

When I read "Write who you are," then I understood my stories are an extension of my heart, passions and life experiences. What I don't know, I can learn. AngelaHunt was never an embalmer's apprentice, but she wrote the Fairlawn series about one, about a woman who ran a funeral home. Research gave her the knowledge she needed.

Angie wrote a story that interested her and she was able to parlay that into a story that interested readers. She wrote about a character who embodied pieces of her passions.

I've never been a country songwriter, but I wrote a book about one. I'm a horrible songwriter. Everything rhymes with King, Thing and Ring. Or Love, Dove and Above. But after a lot of research, I learned how to become a Nashville songwriter.

Book after book, I ask myself, "What do I want to write?" I counsel with the Lord, my husband, editor and agent. And of course the spunky Susan May Warren.

Then I look at myself. What do I like. Who am I? What kind of movies, books, people am I drawn to the most?

I love romantic comedies. I love romance and family saga stories. I'm drawn to people who have a positive passion about life. I love justice and truth. When I speak with other people, I want to encourage them in God, encourage them to find the hope of His calling on their lives, to walk in their destiny. I love animals. I love cowboys and athletes. I love my country. I grew up with three brothers and a sister.

I've lived in the south most of my life, but I've also lived in the Midwest. I've traveled nationally and internationally.

I love happily ever after.

So my stories have to be a composite of two or more of those elements. Romance, community, humor, strong characters, and a unique spiritual angle showing how the weak human heart can encounter the omniscient God.

What about you? What do you want to write? Or read? Make a list of what you like. Wrote down who you are. If you're not sure, ask those who know you best.

Then start developing your story and characters. Let the writing begin.

Angela Hunt's "The Face"

Please welcome friend and fab author Angela Hunt! She has another very exciting release. I so admire her work and intellect!

The Face by Angela Hunt.
from Mira

Compelling characterization is the driving force behind this enthralling story of hope . . . Hunt (The Elevator) fuels the completely engrossing story with dual present-tense narration by the two women. Readers are drawn into their lives, sharing their joy and fear as they approach a fulfilling and surprising climax. A touch of suspense adds to the powerful themes of second chances and new beginnings. (Nov.) --Publishers Weekly

Publisher's Weekly Interview with Angela Hunt about THE FACE:

--Sarah Sims, the main character is a victim of Treacher-Collins syndrome, a rare disease that causes severe facial defects. Sarah literally has no discernible face. Her disease is a vehicle for plot development. Did you have any personal connection with this disease or specific reasons for highlighting it in your novel?

Last year I watched a special on the Discovery Channel about a real little girl born with Treacher-Collins. She's still preschool age, but I was so touched by her plight and all she has had to go through to have a functioning face. A novelist naturally asks, "What if?" and so I found myself wondering what might happen if someone like this young girl had the same condition . . . and the story bloomed in my head. I'm also fascinated by the power of beauty, so the story gave me an opportunity to juxtapose the two conditions--beauty and facelessness.

--Like your last novel, The Elevator, The Face is also written in alternating perspectives and in the present tense. Most novels use third person or an omniscient narrator, and this choice is definitely unconventional. How do you feel that adds to the story and/or the reader’s enjoyment of the book?

I like present tense because it adds an immediacy to the story--plus, unlike a past tense narrator who obviously survived to tell the tale, you're never quite sure if the present tense narrator is going to make it through. I struggled a long time with the question of protagonist--was it Sarah's story or Renee's? And then I realized the story belongs to both of them.

--The title, The Face, represents more than just what the main character lacks. Faces are revealed and discovered through the course of the story. Why the significance on faces?

Studies have shown that not only do our facial expressions reveal our emotions, but our emotions can be ignited by our facial expressions. In order to be fully human, Sarah not only had to learn how to communicate through a face, but to feel the emotions her face could convey. On a deeper level, her new face represents an emotional and spiritual rebirth. Because she receives a new face, she receives a new future and a new life.

--Because she has been isolated on an island all her life, and her contact with people has been extremely limited, Sarah has turned to old movies for her understanding of situations and emotions of the real world. Her idea of reality is based on things she has seen on the screen. Why movies and not books, or music?

I like movies, old or new. I knew Sarah would want to know about the world outside her cloistered life, and movies were the most direct way for her to visualize things she could never see. By watching films, Sarah thinks she knows the world. She doesn't realize that movies are only an imitation of life.

--There is a fair amount of research that went into this novel, from CIA protocol to extreme medical procedures, all of which seem a bit fantastic but are ultimately true. How important is it to blend fact into your fiction and what does that do for the overall quality of the story? Is research fun for you?

I cut my teeth writing nonfiction and I suffer from rabid curiosity so yes, research is fun for me. Why make something up if it really exists? So I do as much research as I can and travel whenever possible. I spent a week in the Amazon jungle to research one novel, and I visited the Spanish coast for The Face. When I saw an old monastery on an island off the coast of Spain, I knew I'd found the location for Sarah's fortress.

--What comes first for you, building the characters or building the story?
I work with four elements to build a story: plot concept, character, setting, and theme. The plot concept usually shows up first, then the other pieces either fall into line . . . . or I give them a shove.

Thanks Angie for stopping by! I pray great success for you and this book!

She Always Wore Red

I'm honored to have my friend and fellow author, Angie Hunt stop by today to talk about her latest release from Tyndale House, She Always Wore Red.

Sounds like a great story, Angie. I love the cover. Can you give us a brief synopsis?

"I'd love to," said Angie.

Jennifer Grahamm, mother, student, and embalmer's apprentice, could use a friend.

She finds one in McLane Larson, a newcomer to Mt. Dora. While McLane's soldier-husband serves overseas, Jen promises to support McLane, then learns that her tie to this woman goes far deeper than friendship.

When a difference of opinion threatens their relationship, Jennifer discovers weaknesses in her own character . . . and a faith far stronger than she had imagined.

A Romantic Times Top Pick! "Be prepared to shed a few tears in Hunt's emotionally gripping tale, the second in the Fairlawn series. With themes of family, friendship, and trusting God, the plot is enhanced by realistic and engaging characters. Jennifer's growth as a character is evident, and the supporting cast enhances the story in a significant way." --Melissa Parcels, Romantic Times reviewer

Congratulations on the Top Pick, Angie, but um, what's up with the funky photo?

Tee hee. It's my "serious author" photo. I snapped it myself, sitting at my computer. Notice the funereal pose.

Okay, now I'm going to have to try it. I'll email you later about the "scratch markings. I like it. But enough about me.

The first book in this series is Doesn't She Look Natural? Do people have to read the first book in order to understand the second? (And congratulations on the Christy Award nomination for that title!)

Thank you--I'm honored. And no, people don't have to read the first book first, though it's always nice to read the books in order to get a sense of the story and background. But all the books will work as single title reads.

I also encourage people not to wait until all the books are released. Go out and by the first two now.

The Fairlawn series is set in a funeral home. Did you observe the embalming process in your research? I know for me, the more hands-on or the more information I have the better I can plot out the story and develop characters.

Did you read about embalming and interview morticians? It's fascinating.

Unfortunately, with the advent of all the new privacy laws (HIPPA, anyone?), I was unable to observe an embalming - and believe me, I was ready and willing. So most of my research came from books, photographs, and interviews (and once you announce that you're working on funeral homes, morticians seem to come out of the woodwork!)

It just so happens that one of my Tyndale editors grew up in a funeral home. She has been a great asset--she gave me the idea for the funny flower arrangements and the funeral singers, plus I had written a scene in book three where Jen and Gerald sit down to eat a steak in the prep room.

My editor said that didn't feel right. "Too weird?" I asked. "No," she said. "There's always an odor in that room . . . not very appetizing." Ah. That's the sort of thing you can't always get from a book. :-/

(So true!)

I certainly hope the embalming stuff didn't gross anyone out, and I tried to ease my readers into it just as Jen is herself "eased" into it. Book one - the barest trace, book two, a complete description of an arterial embalming, book three, the cavity embalming. And frankly, that's as far as I want to take it. Any more would be gross for grossness's sake.

I think readers are always intrigued by new and different topics. You're so good at developing unique stories, Angie.

Did you and your editors disagree over how much of the body preparation process was acceptable to include? I ask because I find all that sort of thing fascinating, and I think that I would include far more than most people would care to read, initially.

Actually, the embalming you "see" is the embalming I put in. :-) After 20 years in this business, I think I've developed a pretty good instinct for knowing how much is too much.

And you can be descriptive in a way that is clinical rather than gross. For example, "She searched for the carotid artery" as opposed to "her stomach clenched as her gloved fingers eased into the warm opening and she tried not to think of fish guts." So actually, none of my editors ever remarked on the level of detail . . . and none of my readers have complained. Yet. :-)

I see what you mean. Nicely done! So, has this series changed your attitude about death?

I'm utterly at peace about it - not in a hurry to pass on, you understand, but very relaxed about the process and my final destination. Doing research has also convinced me that I want to be buried, not cremated, and that I'd be better off buying my casket online.

Can you give us a hint about what happens in the third and final Fairlawn book?

Sure. People die and Jennifer buries most of them. It's a funeral plot.

Ha,ha, you're so funny for one who writes about funeral homes. And besides, that's not much of a hint. Come on, give it up.

I don't like to give all the plot twists away! But, here's a blurb from the back cover copy (yes, the book is finished and handed in.)

In She's In a Better Place, the third book of the Fairlawn series, Jennifer Graham is now running the Fairlawn Funeral Home. Her work takes on a new dimension when Gerald Huffman, her assistant and mentor, reveals that he has a serious illness. When she learns that he and his daughter haven't spoken in years, Jen decides to help them reconcile . . . but things don't go exactly as she planned. Once again, the mortuary is a setting for lessons of laughter, love, and life.

I like it. The setting - a funeral home - is unique, but these books are really about the typical challenges that face women today, right?

Oh, yes. Jennifer is a single mom juggling school, motherhood, and a career - and I think most modern women can relate to her. I certainly can.

Well, Angie, as always, it's been a pleasure to chat. Thanks for-

Um, Rachel, I think you're supposed to ask where they can buy the book.

I was gonna, I was gonna. (blush) So, please tell us how to get ahold of this book!

Thanks for asking! You can order it from your favorite online bookstore. Or, to make it simple, just click here: http://www.amazon.com/exec/obidos/ASIN/1414311702/booksbyangelae0d

For more information, visit www.angelahuntbooks.com.

Be blessed, friend.

Readers, please, take time to get this series. I know you'll love it!

Doesn't She Look Natural?

Welcome again to my friend and author extraordinaire, Angela Hunt! Her new book, Doesn't She Look Natural? is out now!

How do you live when God asks you to bury a dream?

Jennifer Graham, the no-nonsense chief of staff for a Virginia senator, quits her job after her divorce—and finds herself an unemployed single mom. Forced to live with her mother until she can find work on Capitol Hill that does not involve her gregarious ex-husband, her efforts are stymied until she learns that she has inherited a funeral home in picturesque Mt. Dora. Jennifer journeys to the small Florida town with her two sons and her mother, never dreaming that within a mortuary she will uncover mysteries of love and life.

Reader Reviews:

"Doesn't She Look Natural? proves the point that Angela Hunt is one of the most versatile authors writing today. Hunt can bring her readers up close and personal to any emotion common to the human heart, and she does just that in her latest release. With her trademark lovable, multifaceted characters and flawless, unpredictable storytelling, she allows us to view life through a lens that ranges from humor to pathos, from dreams to grit, from anger and frustration to courage and hope. I loved these people. I loved this book.
---BJ Hoff, author of the Mountain Song Legacy series, the American Anthem series, and An Emerald Ballad.

When an unexpected twist in life turns Jen upside down and shakes her, she gathers the spilled change from her pockets and begins anew. Hurt by the unwelcome death of her marriage, she nevertheless allows God to begin to heal her and breathe new life into her circumstances. A heroine to cheer for and identify with and an endearing ensemble of well-meaning but meddling mothers, sweetly persistent new friends and a few men who remember how to be honorable round out a light-hearted read that is simply to die for. --Sandra Byrd, author of Let Them Eat Cake and other novels.

Doesn't She Look Natural is a wonderful change of pace for Angela Hunt. While still dealing with timely and serious subject matter, Angie does it with a refreshing breath of humor. Realizing that God is still in control of every situation of life (and death), the reader is shown a lighter side of circumstances that lifts the soul from the pit of despair and gives it hope in what lies ahead. The little snippets of so-true-to-life Red Hatter escapades are a special added treat, especially for the other-side-of-fifty genre who will be enjoying this book. And I should know, being the real and original Queen Snippy! This is a truly delightful book that you will not be able to easily put down! Can't wait for the next two books in this heart-warming series!
--Tanzel Rousey, aka Queen Snippy, Red Hat Society of Heavenly Daze

A Conversation with Angie:

How did you come up with the concept for Does She Look Natural?

I read HEAVEN by Randy Alcorn and naturally began to think about the life to come. I’ve also lost several friends over the last couple of years, and I’ve come to realize that death, for the believer, is not to be feared. I thought a series about a funeral home might be a good way to address issues affecting the living and those who are facing death.

Is any part of Does She Look Natural factual?

Jennifer Graham and her family are completely fictitious, but Mt. Dora is a real place. How closely is this Does She Look Natural based on your life and your practice?
There are bits of every author’s life in every story he or she produces, but I am happily married with two older children. I’ve never been a mortician, but I’ve always been interested in all things medical.

How long did Does She Look Natural take you to complete?

About the average length of time for me—four or five months.

What is the symbolism for the title Does She Look Natural?

When my editor and I were talking about titles, we were trying to think of things people always say at funerals. We’ve come up with three: Doesn’t She Look Natural?, She Always Wore Red, and She’s in a Better Place.

Do you have a favorite character? Why?

I’m a little partial to Bugs, Jennifer’s five-year-old son. He says the cutest things . . .

How much research did Does She Look Natural take?

Quite a bit, and this is just the beginning of the series. In the second book, Jen goes to mortuary school, and by the third book she is actively operating the funeral home. So I’ve had to learn quite a bit about funeral homes, caskets, supplies, embalming, burial versus cremation, etc.

What are some of the challenges you face as an author?

I think all authors face the same challenges—the need to place ourselves in a chair and stay there until the work is done, the challenge of staying fresh in the face of many revisions, and the challenge of wearing entertaining stories and spiritual truths. People looking for the former aren’t always looking for the latter.

Are there any other new projects on the horizon?

Of course! I still have to write the third Fairlawn book, She’s in a Better Place, and I’m working on another thriller called The Face.

Who has influenced you the most with your writing?

It’s be impossible to name one single person—I had a sixth grade teacher who complimented my writing before I had any inkling that I might be any good at it, and Pastor Derric Johnson suggested that I switch from music to writing as a career. And at Tyndale House, it was Ken Peterson who suggested that I move from children’s books into adult fiction. You might say that God has frequently spoken to me through the voices of my friends.

What advice would you give to a person trying to become a novelist?

Read, read, read. And then get to a good writer’s conference where you can learn from people who are actually doing the work.

What message would you like your readers to take away from Does She Look Natural?

I would like readers to see that God is always leading us . . . even when we don’t like the direction in which we’re moving. And when God moves us, He supplies our needs . . . sometimes in the most unexpected ways.

What is your goal or mission as a writer?

My goal in life is simply to love and obey God. Right now I’m doing that by writing the stories He places on my heart.

Thanks Angie! Sounds like a wonderful book. Readers, go out a buy a copy!

Welcome Angela Hunt!

Hi everyone, I'm thrilled to feature friend and fab author Angela Hunt today.

If you know of Angela Hunt, you know you're going to get a great read. Angie is one of the most prolific writers and readers I know.

Her latest contemporary novel, THE ELEVATOR (Steeple Hill), will be available in book stores June 26! Furthermore, she has just signed paperwork for the novel to become a Lifetime TV movie!

Get caught in The Elevator!

THREE WOMEN . . . ONE MAN . . . A GATHERING STORM

In the path of a devastating hurricane, three very different women find themselves trapped in the elevator of a high-rise office building. All three conceal shattering secrets —unaware that their secrets center on the same man.

The betrayed wife, eager to confront her faithless husband, with rage in her heart and a gun in her pocket . . .

The determined mistress, finally ready to tell her lover she wants marriage and a family . . . The fugitive cleaning woman, tormented by the darkest secret of all . . .

As the storm rages ever closer, these three must unite to fight for their lives in the greatest test of courage — and faith —any woman could ever face.

Reviews of The Elevator

"Prolific novelist Hunt knows how to hold a reader's interest, and her latest yarn is no exception . . . Readers may decide to take the stairs after finishing this thriller."

--Publishers Weekly

"...a brilliantly plotted novel...the hurricane approaching the Florida coast is no match for the storm brewing inside the claustrophobic confines of a high-rise elevator. ...Be prepared to lose some sleep until you reach the last page!"

Liz Curtis Higgs, best-selling author of Thorn in My Heart

"Hunt traps three women in an elevator during a hurricane, dangling them, and the reader, from a tangled web of interconnected deceit, failure, crime and fear. ...The Elevator...creates the perfect set-up to keep you turning pages long after the rest of the house has fallen asleep. ...Loved it."

Lisa Samson, award-winning author of The Church Ladies, Songbird and Straight Up.

Where'd Angie get the idea?

Easy - the cover of Nick Hornby's "A Long Way Down."

I had picked up that book for my book club to read, and I found myself staring at the cover, which featured the shoes of four different people against a background of sky. Then I naturally began to think about people trapped in a crucible . . . like an elevator.

And though that'd be tense, what would make the situation worse? Maybe the arrival of a hurricane? Next thing I knew, I pretty much had the plot synopsis in my head. All that remained was working it out . . . and finding a way to keep a reader's attention (a bit of a challenge when most of the book is set in an elevator!)

And now I'd like to offer you fifteen fun things to do the next time you're caught in an elevator!
1. Grin at another passenger for a while, then announce, "I'm wearing new socks!"
2. Make race car noises when anyone gets on or off.
3. Whistle the first seven notes of "It's a Small World" over and over and over . . .
4. Open your purse, peer inside, and ask, "Got enough air in there?"
5. Stand silent and motionless against the back, facing the wall, until everyone else gets off.
6. Greet everyone getting on with a warm handshake and ask them to call you Queen of the Universe.
7. Meow.
8. Start a sing-along. "Kum by yah" works well.
9. Say "DING!" at each floor.
10. Listen to the elevator walls with a stethoscope.
11. Push the buttons and pretend they give you a shock. Smile, and then go back for more.
12. Pretend you are a flight attendant and review emergency procedures and exits with the passengers (you'll know all about these after reading THE ELEVATOR!).
13. Take pictures of everyone aboard with your cell phone - even if it doesn't have a camera.
14. When there's only one other person aboard, tap them on the shoulder and pretend it wasn't you.
15. Hold a copy of THE ELEVATOR, read it, and keep moaning, "Why didn't I take the escalator?"

Visit Angie at www.angelahuntbooks.com